Shu Lea Cheang: 3x3x6 – Venice Biennale 2019

” We stay in a society where (the) security camera is all over. We reside in a society where information is our most significant prison. We live in a data panopticon today”.

Shue Lea Cheang’s multi-media installment for Venice utilizes its ancient prison establishing well to check out the biographies of contemporary and historical sex offences, and consider the influences of today’s omnipresent digital security.

Shu Lea Cheang’s 4 area installation, 3x3x6, is an exploration of sexual disobediences over the centuries and the transformation of security modern technology from the physical design of a cell or prison to the electronic design that now checks all of us, all the time, many thanks to 3D facial recognition, AI as well as the net. The title of the job refers to the 3×3 sq metre dimensions of today’s normal jail cell, and its monitoring by six video cameras.

In intending this work, Cheang (b1954, Taiwan) was struck by the reality that Venice’s most renowned sexual adventurer, Giacomo Casanova (1725-98), was sent to prison here (although he got away prior to his five-year sentence was up). He ended up being an essential character in her story, along with other notable historical personalities, specifically France’s Marquis de Sade (1740-1814), that spent 32 years of his life behind bars, and also Michel Foucault (1926-84), the French philosopher, that, while offering in a polite capacity in Poland, was entraped into disclosing his homosexuality and forced to leave the nation. One more 7 contemporary characters were mobilized from research study that Cheang as well as her manager and partner, Paul B Preciado, unearthed, standing for a cross-section of transgressions from throughout the globe, from Taiwan to South Africa.

Shu Lea Cheang: 3x3x6
Taiwan in Venice, Palazzo delle Prigioni, Castello 4209, San Marco, 30122 Venice
11 May– 24 November 2019


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Spy Chasers

Spy Chasers is a 1955 film directed by Edward Bernds and starring the comedy team of The Bowery Boys. The film was released on July 31, 1955 by Allied Artists and is the thirty-eighth film in the series.


  • 1 Plot
  • 2 Cast
    • 2.1 The Bowery Boys
    • 2.2 Remaining cast
  • 3 Home media
  • 4 See also
  • 5 External links


Princess Ann of Truania arrives at Louie’s Sweet Shop. She is the daughter of the exiled king and is looking for Louie, whose brother is a valuable assistance to the king back in Truania. They request the boys assistance to safeguard a half-coin for them. The other half will be delivered to them with a message when it is safe for the king to return to his country and regain control. The king’s assistant, Colonel Baxis and Zelda, Ann’s lady-in-waiting are traitors and are immediately distrusted by the boys. The traitor’s intend to send a fake half-coin to the boys in order to get the king to return to his country too soon so that he can be arrested. Ann overhears the plot and is kidnapped. Eventually the boys rescue Ann and convince the king that his assistant is a traitor.


The Bowery Boys[edit]

  • Leo Gorcey as Terence Aloysius ‘Slip’ Mahoney
  • Huntz Hall as Horace Debussy ‘Sach’ Jones
  • David Gorcey as Charles ‘Chuck’ Anderson (Credited as David Condon)
  • Bennie Bartlett as Butch Williams

Remaining cast[edit]

  • Bernard Gorcey as Louie Dumbrowski
  • Leon Askin as Colonel Alex Baxis
  • Sig Ruman as King Rako of Truania
  • Veola Vonn as Lady Zelda
  • Lisa Davis as Princess Ann
  • Richard Benedict as Boris
  • Frank Richards as George

Home media[edit]

Warner Archives released the film on made-to-order DVD in the United States as part of “The Bowery Boys, Volume Four” on August 26, 2014.

See also[edit]

  • List of American films of 1955

External links[edit]

  • Spy Chasers at the TCM Movie Database
  • Spy Chasers on IMDb
  • Spy Chasers at AllMovie

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Casual Encounters Demo!.?.!Casual Encounters is an art task concerning the connections created by gadgets when their owners are not enjoying. Unbeknownst to most individuals, the wireless devices(cell phones, tablet computers, etc )that we lug with us are babbling away frequently, announcing themselves and reaching every gadget around them. The task is composed of a portable cordless router, running custom firmware, which tracks the gadgets that my very own tools come in contact with. The accumulated information is then visualized through an interface that borrows from preferred representations of surveillance command and control systems. This video clip is a bit of about 15 hrs on Tuesday October
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遥控器 remote control!.?.!A partir de la reconstrucción de muchos de los registros audiovisuales que se hicieron el 1989 durante las protestas de Tiananmen Square y del montaje de sonidos, ambientes, metáforas visuales, juegos de tamaño y color, ritmos, and so on he querido revivir e interpretar el sentimiento de lucha común, de renacimiento y de esperanza de los estudiantes que fue brutalmente arrebatado y aplastado por el Partido Comunista Chino; y como eso, nos lleva al estado real de vigilancia continua, estudio y recolección de datos para el control de los ciudadanos por parte del mismo Partido.

Rebuilding numerous of the video footage that was videotaped in 1989 during the Tiananmen Square protests, and the assembly of audios, atmospheres, visual metaphors, dimensions and also shade, rhythms, and so on. I wished to interpret the feeling as well as revitalize of usual battle, regeneration and wish that was completely nabbed as well as crushed by the Chinese Communist Party; and also exactly how that brings us to the current state of continuous mass monitoring, study and information collection to regulate the chinese residents.

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