Shu Lea Cheang: 3x3x6 – Venice Biennale 2019

” We stay in a society where (the) security camera is all over. We reside in a society where information is our most significant prison. We live in a data panopticon today”.

Shue Lea Cheang’s multi-media installment for Venice utilizes its ancient prison establishing well to check out the biographies of contemporary and historical sex offences, and consider the influences of today’s omnipresent digital security.

Shu Lea Cheang’s 4 area installation, 3x3x6, is an exploration of sexual disobediences over the centuries and the transformation of security modern technology from the physical design of a cell or prison to the electronic design that now checks all of us, all the time, many thanks to 3D facial recognition, AI as well as the net. The title of the job refers to the 3×3 sq metre dimensions of today’s normal jail cell, and its monitoring by six video cameras.

In intending this work, Cheang (b1954, Taiwan) was struck by the reality that Venice’s most renowned sexual adventurer, Giacomo Casanova (1725-98), was sent to prison here (although he got away prior to his five-year sentence was up). He ended up being an essential character in her story, along with other notable historical personalities, specifically France’s Marquis de Sade (1740-1814), that spent 32 years of his life behind bars, and also Michel Foucault (1926-84), the French philosopher, that, while offering in a polite capacity in Poland, was entraped into disclosing his homosexuality and forced to leave the nation. One more 7 contemporary characters were mobilized from research study that Cheang as well as her manager and partner, Paul B Preciado, unearthed, standing for a cross-section of transgressions from throughout the globe, from Taiwan to South Africa.

Shu Lea Cheang: 3x3x6
Taiwan in Venice, Palazzo delle Prigioni, Castello 4209, San Marco, 30122 Venice
11 May– 24 November 2019

Meeting by VERONICA SIMPSON
Filmed by MARTIN KENNEDY

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Spy Chasers

Spy Chasers is a 1955 film directed by Edward Bernds and starring the comedy team of The Bowery Boys. The film was released on July 31, 1955 by Allied Artists and is the thirty-eighth film in the series.

Contents

  • 1 Plot
  • 2 Cast
    • 2.1 The Bowery Boys
    • 2.2 Remaining cast
  • 3 Home media
  • 4 See also
  • 5 External links

Plot[edit]

Princess Ann of Truania arrives at Louie’s Sweet Shop. She is the daughter of the exiled king and is looking for Louie, whose brother is a valuable assistance to the king back in Truania. They request the boys assistance to safeguard a half-coin for them. The other half will be delivered to them with a message when it is safe for the king to return to his country and regain control. The king’s assistant, Colonel Baxis and Zelda, Ann’s lady-in-waiting are traitors and are immediately distrusted by the boys. The traitor’s intend to send a fake half-coin to the boys in order to get the king to return to his country too soon so that he can be arrested. Ann overhears the plot and is kidnapped. Eventually the boys rescue Ann and convince the king that his assistant is a traitor.

Cast[edit]

The Bowery Boys[edit]

  • Leo Gorcey as Terence Aloysius ‘Slip’ Mahoney
  • Huntz Hall as Horace Debussy ‘Sach’ Jones
  • David Gorcey as Charles ‘Chuck’ Anderson (Credited as David Condon)
  • Bennie Bartlett as Butch Williams

Remaining cast[edit]

  • Bernard Gorcey as Louie Dumbrowski
  • Leon Askin as Colonel Alex Baxis
  • Sig Ruman as King Rako of Truania
  • Veola Vonn as Lady Zelda
  • Lisa Davis as Princess Ann
  • Richard Benedict as Boris
  • Frank Richards as George

Home media[edit]

Warner Archives released the film on made-to-order DVD in the United States as part of “The Bowery Boys, Volume Four” on August 26, 2014.

See also[edit]

  • List of American films of 1955

External links[edit]

  • Spy Chasers at the TCM Movie Database
  • Spy Chasers on IMDb
  • Spy Chasers at AllMovie


‘Unseen: The Lives of Looking’ – Film Trailer

https://vimeo.com/122983387!.?.!Dryden Goodwin’s very first feature-length essay film, concentrates on four individuals, each with phenomenal connections to looking: an international eye specialist, a NASA planetary traveler, a leading civils rights attorney and also the artist/filmmaker himself. Mixing Goodwin’s very closely observed illustrations, live activity as well as elaborately woven soundtrack, the movie explores various ranges, kinds and also factors for looking, in a poetic and also metaphysically billed trip. Exposed through intimate accessibility is the empathy as well as mastery of the cosmetic surgeon dealing with the delicacy of the human eye; the quest of the global traveler to decode the cosmos and find evidence of life on Mars; and also the examination of the British government, by the attorney, in remarkable performance, drone attack and mass security situations. Goodwin’s looking and implicit presence links the lives of these penetrating viewers, exposing a kinship in between those who live by the sensory policies of monitoring, a desire to decipher in quest of understanding and also insight. The film’s point of views vary from the minute details of surgical treatment to breathtaking stretches of space. Vignettes of complete strangers and also a brief concentrate on Goodwin’s papa and also boy, invite us to contemplate the well-known as well as the unidentified, the personal and the remote. Exposing the creative jumps we take to expose what may be concealed or out of view, the film thinks about both the physical act of looking along with the devices we utilize to perceive the world around us and also just how these type our own identifications.

Casual Encounters Demo

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遥控器 remote control

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Rebuilding numerous of the video footage that was videotaped in 1989 during the Tiananmen Square protests, and the assembly of audios, atmospheres, visual metaphors, dimensions and also shade, rhythms, and so on. I wished to interpret the feeling as well as revitalize of usual battle, regeneration and wish that was completely nabbed as well as crushed by the Chinese Communist Party; and also exactly how that brings us to the current state of continuous mass monitoring, study and information collection to regulate the chinese residents.

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